Taslima Nasrin’s Criticism of Islam: an Academic Response

The feminist tradition in what is now Bangladesh took off with Rokeya Sakhawat Hossain (1880-1932) who arguably foregrounds her ideas in Islamic, indigenous culture and exerts a posthumous public influence. However, about one hundred years after Rokeya, Taslima Nasrin (1962-) produced a number of wo...

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Main Author: Hasan , Md. Mahmudul
Format: Conference or Workshop Item
Language:English
English
Published: 2011
Subjects:
Online Access:http://irep.iium.edu.my/15665/
http://irep.iium.edu.my/15665/
http://irep.iium.edu.my/15665/1/taslima%27s_criticism_of_Islam_first_draft.pdf
http://irep.iium.edu.my/15665/4/Taslima_Nasrin%2527s_Criticism_of_Islam-1.pdf
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spelling iium-156652013-04-29T00:47:40Z http://irep.iium.edu.my/15665/ Taslima Nasrin’s Criticism of Islam: an Academic Response Hasan , Md. Mahmudul HQ1101 Women. Feminism The feminist tradition in what is now Bangladesh took off with Rokeya Sakhawat Hossain (1880-1932) who arguably foregrounds her ideas in Islamic, indigenous culture and exerts a posthumous public influence. However, about one hundred years after Rokeya, Taslima Nasrin (1962-) produced a number of works most critical of Islam, such as Amar Meyebela (1999), Utal Hawa (2002) and Ka (2003), which increased controversy over the content of her feminist work and strategy. Although many Muslims dismiss Taslima’s writings as anti-Islamic provocation and pornography, they are well-received in the West where she is celebrated as a feminist rebel who presumably defies the supposed Bangladeshi Islamic patriarchy. While Rokeya critiques the patriarchal, male-stream interpretation of Islam and reexamines it in light of gender justice, Taslima uncritically takes the prevalent patriarchal notions of Islam as the norm and scapegoats the religion by putting almost the entire blame of gender injustices on it. Based on this observation, my critical analysis of Taslima’s work will examine her overly critical view of Islam and will provide the correct Islamic position with regard to many gender issues Taslima raises in her work. When referring to secondary sources on Islam, she relies hugely on ‘dud’ materials written mainly by semi-educated Muslims and on some spurious hadiths, which this study aims to identify and clarify. This will be a follow-up work to my article titled ‘Free speech, ban and “fatwa”: A study of the Taslima Nasrin affair,’ [Journal of Postcolonial Writing, 46(5) 2010 pp.540-552]. 2011-05-30 Conference or Workshop Item NonPeerReviewed application/pdf en http://irep.iium.edu.my/15665/1/taslima%27s_criticism_of_Islam_first_draft.pdf application/pdf en http://irep.iium.edu.my/15665/4/Taslima_Nasrin%2527s_Criticism_of_Islam-1.pdf Hasan , Md. Mahmudul (2011) Taslima Nasrin’s Criticism of Islam: an Academic Response. In: Librasia 2011 - The Asian Conference on Literature and Librarianship 2011, 27-30 May 2011, Hotel Ramada, Osaka, Japan . (Unpublished) http://librasia.iafor.org/
repository_type Digital Repository
institution_category Local University
institution International Islamic University Malaysia
building IIUM Repository
collection Online Access
language English
English
topic HQ1101 Women. Feminism
spellingShingle HQ1101 Women. Feminism
Hasan , Md. Mahmudul
Taslima Nasrin’s Criticism of Islam: an Academic Response
description The feminist tradition in what is now Bangladesh took off with Rokeya Sakhawat Hossain (1880-1932) who arguably foregrounds her ideas in Islamic, indigenous culture and exerts a posthumous public influence. However, about one hundred years after Rokeya, Taslima Nasrin (1962-) produced a number of works most critical of Islam, such as Amar Meyebela (1999), Utal Hawa (2002) and Ka (2003), which increased controversy over the content of her feminist work and strategy. Although many Muslims dismiss Taslima’s writings as anti-Islamic provocation and pornography, they are well-received in the West where she is celebrated as a feminist rebel who presumably defies the supposed Bangladeshi Islamic patriarchy. While Rokeya critiques the patriarchal, male-stream interpretation of Islam and reexamines it in light of gender justice, Taslima uncritically takes the prevalent patriarchal notions of Islam as the norm and scapegoats the religion by putting almost the entire blame of gender injustices on it. Based on this observation, my critical analysis of Taslima’s work will examine her overly critical view of Islam and will provide the correct Islamic position with regard to many gender issues Taslima raises in her work. When referring to secondary sources on Islam, she relies hugely on ‘dud’ materials written mainly by semi-educated Muslims and on some spurious hadiths, which this study aims to identify and clarify. This will be a follow-up work to my article titled ‘Free speech, ban and “fatwa”: A study of the Taslima Nasrin affair,’ [Journal of Postcolonial Writing, 46(5) 2010 pp.540-552].
format Conference or Workshop Item
author Hasan , Md. Mahmudul
author_facet Hasan , Md. Mahmudul
author_sort Hasan , Md. Mahmudul
title Taslima Nasrin’s Criticism of Islam: an Academic Response
title_short Taslima Nasrin’s Criticism of Islam: an Academic Response
title_full Taslima Nasrin’s Criticism of Islam: an Academic Response
title_fullStr Taslima Nasrin’s Criticism of Islam: an Academic Response
title_full_unstemmed Taslima Nasrin’s Criticism of Islam: an Academic Response
title_sort taslima nasrin’s criticism of islam: an academic response
publishDate 2011
url http://irep.iium.edu.my/15665/
http://irep.iium.edu.my/15665/
http://irep.iium.edu.my/15665/1/taslima%27s_criticism_of_Islam_first_draft.pdf
http://irep.iium.edu.my/15665/4/Taslima_Nasrin%2527s_Criticism_of_Islam-1.pdf
first_indexed 2023-09-18T20:24:34Z
last_indexed 2023-09-18T20:24:34Z
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