Humour in Rabindranath Tagore's selected early short stories: a freudian reading

This essay is intended to fill the gap in the discussion of humour in Rabindranath Tagore’s writings, particularly his short stories. It argues that although Tagore is often seen as a serious writer, dealing with significant issues concerning religion, politics and culture in his work, he also had a...

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Main Author: Quayum, Mohammad Abdul
Format: Article
Language:English
Published: Flinders University, Australia 2014
Subjects:
Online Access:http://irep.iium.edu.my/39320/
http://irep.iium.edu.my/39320/
http://irep.iium.edu.my/39320/1/Humour_in_Rabindranath_Tagore.pdf
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spelling iium-393202018-05-24T05:21:13Z http://irep.iium.edu.my/39320/ Humour in Rabindranath Tagore's selected early short stories: a freudian reading Quayum, Mohammad Abdul PE English PI Oriental languages and literatures PN0080 Criticism This essay is intended to fill the gap in the discussion of humour in Rabindranath Tagore’s writings, particularly his short stories. It argues that although Tagore is often seen as a serious writer, dealing with significant issues concerning religion, politics and culture in his work, he also had a lighter side to his personality, which enabled him to laugh at certain inherent human weaknesses, such as excessive piety, sentimentality, affectedness, arrogance and sexual jealousy, in a comic spirit, rather than being derogatory or sarcastic about them. Sometimes, this laughter was even at his own expense, caricaturing a certain drollery or oddity in his own personality, or at the expense of a close family or associate. The essay investigates four of Tagore’s short stories – “The Path to Salvation” (Muktir Upai), “The Professor” (Addhyapak), “Privacy” (Sadar O Andar) and “The Auspicious Sight” (Subhadristi) – all written during the first phase of his writing career, when he was living at Shelaidah, East Bengal, to bring home the argument that during these early years Tagore was capable of responding to life in its fullness. Thus he could empathise with its sorrows and sufferings as much as relishing its mirth and amusement, which he saw as an inalienable part of the human experience. Furthermore, the humour we encounter in these four stories is different from that in his later stories – such as “Kabuliwala,” “The Editor” (Symapadak), “Number One” (Paila Number) and “Deliverance” (Uddhar) – in that they are written in a tender and sympathetic tone, merely to tease and prod, vis-ŕ-vis his use of, in Freud’s phrases, “tendency wit” or “tendency comedy” in the latter stories. Flinders University, Australia 2014-11-18 Article PeerReviewed application/pdf en http://irep.iium.edu.my/39320/1/Humour_in_Rabindranath_Tagore.pdf Quayum, Mohammad Abdul (2014) Humour in Rabindranath Tagore's selected early short stories: a freudian reading. Transnational Literature, 7 (1). pp. 1-14. ISSN 1836-4845 http://fhrc.flinders.edu.au/transnational/home.html
repository_type Digital Repository
institution_category Local University
institution International Islamic University Malaysia
building IIUM Repository
collection Online Access
language English
topic PE English
PI Oriental languages and literatures
PN0080 Criticism
spellingShingle PE English
PI Oriental languages and literatures
PN0080 Criticism
Quayum, Mohammad Abdul
Humour in Rabindranath Tagore's selected early short stories: a freudian reading
description This essay is intended to fill the gap in the discussion of humour in Rabindranath Tagore’s writings, particularly his short stories. It argues that although Tagore is often seen as a serious writer, dealing with significant issues concerning religion, politics and culture in his work, he also had a lighter side to his personality, which enabled him to laugh at certain inherent human weaknesses, such as excessive piety, sentimentality, affectedness, arrogance and sexual jealousy, in a comic spirit, rather than being derogatory or sarcastic about them. Sometimes, this laughter was even at his own expense, caricaturing a certain drollery or oddity in his own personality, or at the expense of a close family or associate. The essay investigates four of Tagore’s short stories – “The Path to Salvation” (Muktir Upai), “The Professor” (Addhyapak), “Privacy” (Sadar O Andar) and “The Auspicious Sight” (Subhadristi) – all written during the first phase of his writing career, when he was living at Shelaidah, East Bengal, to bring home the argument that during these early years Tagore was capable of responding to life in its fullness. Thus he could empathise with its sorrows and sufferings as much as relishing its mirth and amusement, which he saw as an inalienable part of the human experience. Furthermore, the humour we encounter in these four stories is different from that in his later stories – such as “Kabuliwala,” “The Editor” (Symapadak), “Number One” (Paila Number) and “Deliverance” (Uddhar) – in that they are written in a tender and sympathetic tone, merely to tease and prod, vis-ŕ-vis his use of, in Freud’s phrases, “tendency wit” or “tendency comedy” in the latter stories.
format Article
author Quayum, Mohammad Abdul
author_facet Quayum, Mohammad Abdul
author_sort Quayum, Mohammad Abdul
title Humour in Rabindranath Tagore's selected early short stories: a freudian reading
title_short Humour in Rabindranath Tagore's selected early short stories: a freudian reading
title_full Humour in Rabindranath Tagore's selected early short stories: a freudian reading
title_fullStr Humour in Rabindranath Tagore's selected early short stories: a freudian reading
title_full_unstemmed Humour in Rabindranath Tagore's selected early short stories: a freudian reading
title_sort humour in rabindranath tagore's selected early short stories: a freudian reading
publisher Flinders University, Australia
publishDate 2014
url http://irep.iium.edu.my/39320/
http://irep.iium.edu.my/39320/
http://irep.iium.edu.my/39320/1/Humour_in_Rabindranath_Tagore.pdf
first_indexed 2023-09-18T20:56:29Z
last_indexed 2023-09-18T20:56:29Z
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