Rationalizing Islam’s prohibition of drawing images and erecting statues of humans

Islam categorically prohibits drawing images and erecting statues of humans. The matter pertains as much to fiqh (Islamic jurisprudence) as ‘aqidah (Islamic belief system). There are many authentic hadiths (traditions) of the Prophet (peace and blessings be upon him) that testify to this. Accordin...

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Main Author: Omer, Spahic
Format: Article
Language:English
Published: IIUMToday 2019
Subjects:
Online Access:http://irep.iium.edu.my/71649/
http://irep.iium.edu.my/71649/
http://irep.iium.edu.my/71649/1/71649_Rationalizing%20Islam%E2%80%99s%20Prohibition.pdf
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spelling iium-716492019-04-17T06:45:46Z http://irep.iium.edu.my/71649/ Rationalizing Islam’s prohibition of drawing images and erecting statues of humans Omer, Spahic Islamic art and architecture Islam categorically prohibits drawing images and erecting statues of humans. The matter pertains as much to fiqh (Islamic jurisprudence) as ‘aqidah (Islamic belief system). There are many authentic hadiths (traditions) of the Prophet (peace and blessings be upon him) that testify to this. According to those hadiths, the image makers are cursed; they are called some of the most evil creation; they will be most severely punished on the Day of Judgment; they will be punished until they breathe life into their “creations”, but they will never be able to do that; and the angels do not enter houses in which there are statues (Sahih al-Bukhari and Sahih Muslim). What are the reasons for this unequivocal prohibition? By and large, human images and statues are produced in the name of art, in its two main classical branches: painting and sculpture. They are meant to be appreciated for their beauty, meaning and emotional power, predicated on an artist’s imagination, resourcefulness, conceptual ideas and skills. Authentic art is a process of discovering in life and nature their essence, which is meta-physical. It is furthermore ontological, dealing with the fundamental nature of being. That essence is then given a physical form most appropriate for it. The nearer the visible object is to the essence, the more beautiful it is. Art, therefore, is the trickiest and most challenging thing, bordering on the impossible. It is an attempt to rationalize, in essence, the irrationalizable and represent the unrepresentable. Needless to say that authentic art is not the imitation of created nature. A photographic representation, which reproduces the object as it is, may be valuable for illustration or documentation, for the establishment of identity. As a work of art, it is worthless. IIUMToday 2019-04 Article NonPeerReviewed application/pdf en http://irep.iium.edu.my/71649/1/71649_Rationalizing%20Islam%E2%80%99s%20Prohibition.pdf Omer, Spahic (2019) Rationalizing Islam’s prohibition of drawing images and erecting statues of humans. IIUMToday. https://news.iium.edu.my/?p=128781
repository_type Digital Repository
institution_category Local University
institution International Islamic University Malaysia
building IIUM Repository
collection Online Access
language English
topic Islamic art and architecture
spellingShingle Islamic art and architecture
Omer, Spahic
Rationalizing Islam’s prohibition of drawing images and erecting statues of humans
description Islam categorically prohibits drawing images and erecting statues of humans. The matter pertains as much to fiqh (Islamic jurisprudence) as ‘aqidah (Islamic belief system). There are many authentic hadiths (traditions) of the Prophet (peace and blessings be upon him) that testify to this. According to those hadiths, the image makers are cursed; they are called some of the most evil creation; they will be most severely punished on the Day of Judgment; they will be punished until they breathe life into their “creations”, but they will never be able to do that; and the angels do not enter houses in which there are statues (Sahih al-Bukhari and Sahih Muslim). What are the reasons for this unequivocal prohibition? By and large, human images and statues are produced in the name of art, in its two main classical branches: painting and sculpture. They are meant to be appreciated for their beauty, meaning and emotional power, predicated on an artist’s imagination, resourcefulness, conceptual ideas and skills. Authentic art is a process of discovering in life and nature their essence, which is meta-physical. It is furthermore ontological, dealing with the fundamental nature of being. That essence is then given a physical form most appropriate for it. The nearer the visible object is to the essence, the more beautiful it is. Art, therefore, is the trickiest and most challenging thing, bordering on the impossible. It is an attempt to rationalize, in essence, the irrationalizable and represent the unrepresentable. Needless to say that authentic art is not the imitation of created nature. A photographic representation, which reproduces the object as it is, may be valuable for illustration or documentation, for the establishment of identity. As a work of art, it is worthless.
format Article
author Omer, Spahic
author_facet Omer, Spahic
author_sort Omer, Spahic
title Rationalizing Islam’s prohibition of drawing images and erecting statues of humans
title_short Rationalizing Islam’s prohibition of drawing images and erecting statues of humans
title_full Rationalizing Islam’s prohibition of drawing images and erecting statues of humans
title_fullStr Rationalizing Islam’s prohibition of drawing images and erecting statues of humans
title_full_unstemmed Rationalizing Islam’s prohibition of drawing images and erecting statues of humans
title_sort rationalizing islam’s prohibition of drawing images and erecting statues of humans
publisher IIUMToday
publishDate 2019
url http://irep.iium.edu.my/71649/
http://irep.iium.edu.my/71649/
http://irep.iium.edu.my/71649/1/71649_Rationalizing%20Islam%E2%80%99s%20Prohibition.pdf
first_indexed 2023-09-18T21:41:35Z
last_indexed 2023-09-18T21:41:35Z
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