The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]

In Malaysia, Printmaking is not a highly popular art discipline. It has failed to receive the attention that it rightly deserves and is mainly overshadowed by the more popular art disciplines such as painting and sculpture. This is due to the perception that printmaking is insignificant compared to...

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Main Authors: Zahari, Siti Safura, Roslan, Nur Fatiyah, Makrai, Nurin Elani, Karimon, Nor Arseha, Arshad, Mohd Fawazie, Mahmud, Romli
Format: Conference or Workshop Item
Language:English
Published: 2016
Subjects:
Online Access:http://ir.uitm.edu.my/id/eprint/20012/
http://ir.uitm.edu.my/id/eprint/20012/1/PRO_SITI%20SAFURA%20ZAHARI%20M%2016.pdf
id uitm-20012
recordtype eprints
spelling uitm-200122018-09-21T12:34:48Z http://ir.uitm.edu.my/id/eprint/20012/ The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al] Zahari, Siti Safura Roslan, Nur Fatiyah Makrai, Nurin Elani Karimon, Nor Arseha Arshad, Mohd Fawazie Mahmud, Romli Printmaking and engraving Contemporary, The, in art In Malaysia, Printmaking is not a highly popular art discipline. It has failed to receive the attention that it rightly deserves and is mainly overshadowed by the more popular art disciplines such as painting and sculpture. This is due to the perception that printmaking is insignificant compared to other branches of art during the early development period of Malaysia contemporary art. This study was conducted to identify the key factors on why printmaking in Malaysia is not fully developed. There are two important aspects on printmaking in Malaysia will be covered in this research. As we know, printmaking came into process in the late 1950s and its development continued until the 1990s. The first aspect to be discussed is the background of the study that highlights the printmaking history since Independence, and the questions on whether the development of printmaking after the 1990s have further developed and progressed or on the contrary. There is evidence that show a number of paintings being discovered in an exhibition held in 1958. However, there is no sign of printmaking in Malaysia back then. The study is expected to assist and benefit the printmakers and the enthusiasts of printmaking as well as researchers in studying and finding effective solutions to help develop this discipline of art in the future. 2016 Conference or Workshop Item PeerReviewed text en http://ir.uitm.edu.my/id/eprint/20012/1/PRO_SITI%20SAFURA%20ZAHARI%20M%2016.pdf Zahari, Siti Safura and Roslan, Nur Fatiyah and Makrai, Nurin Elani and Karimon, Nor Arseha and Arshad, Mohd Fawazie and Mahmud, Romli (2016) The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]. In: Empowering Local Mind In Art Design & Cultural Herritage 3rd ISME International Colloquium 2016, 27 & 28 December 2016, Universiti Teknologi MARA, Melaka.
repository_type Digital Repository
institution_category Local University
institution Universiti Teknologi MARA
building UiTM Institutional Repository
collection Online Access
language English
topic Printmaking and engraving
Contemporary, The, in art
spellingShingle Printmaking and engraving
Contemporary, The, in art
Zahari, Siti Safura
Roslan, Nur Fatiyah
Makrai, Nurin Elani
Karimon, Nor Arseha
Arshad, Mohd Fawazie
Mahmud, Romli
The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]
description In Malaysia, Printmaking is not a highly popular art discipline. It has failed to receive the attention that it rightly deserves and is mainly overshadowed by the more popular art disciplines such as painting and sculpture. This is due to the perception that printmaking is insignificant compared to other branches of art during the early development period of Malaysia contemporary art. This study was conducted to identify the key factors on why printmaking in Malaysia is not fully developed. There are two important aspects on printmaking in Malaysia will be covered in this research. As we know, printmaking came into process in the late 1950s and its development continued until the 1990s. The first aspect to be discussed is the background of the study that highlights the printmaking history since Independence, and the questions on whether the development of printmaking after the 1990s have further developed and progressed or on the contrary. There is evidence that show a number of paintings being discovered in an exhibition held in 1958. However, there is no sign of printmaking in Malaysia back then. The study is expected to assist and benefit the printmakers and the enthusiasts of printmaking as well as researchers in studying and finding effective solutions to help develop this discipline of art in the future.
format Conference or Workshop Item
author Zahari, Siti Safura
Roslan, Nur Fatiyah
Makrai, Nurin Elani
Karimon, Nor Arseha
Arshad, Mohd Fawazie
Mahmud, Romli
author_facet Zahari, Siti Safura
Roslan, Nur Fatiyah
Makrai, Nurin Elani
Karimon, Nor Arseha
Arshad, Mohd Fawazie
Mahmud, Romli
author_sort Zahari, Siti Safura
title The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]
title_short The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]
title_full The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]
title_fullStr The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]
title_full_unstemmed The status quo of Malaysian printmaking / Siti Safura Zahari...[et.al]
title_sort status quo of malaysian printmaking / siti safura zahari...[et.al]
publishDate 2016
url http://ir.uitm.edu.my/id/eprint/20012/
http://ir.uitm.edu.my/id/eprint/20012/1/PRO_SITI%20SAFURA%20ZAHARI%20M%2016.pdf
first_indexed 2023-09-18T23:03:46Z
last_indexed 2023-09-18T23:03:46Z
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