A fundamental study on styles of Malaysian contemporary ceramic art from 1959-2009 / Muliyadi Mahmood … [et_al.]
Thus research is neither a historical study nor a compilation of artists itself but more on finding the style in contemporary ceramic in Malaysia and what factors that influence it; a first attempt documenting artworks of contemporary ceramic in Malaysia. Fourty-three artworks of thirty-five various...
| Main Authors: | , , , |
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| Format: | Research Reports |
| Language: | English |
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Research Management Institute (RMI)
2010
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| Subjects: | |
| Online Access: | http://ir.uitm.edu.my/id/eprint/27122/ http://ir.uitm.edu.my/id/eprint/27122/1/LP_MULIYADI%20MAHMOOD%20RMI%2010_5.pdf |
| id |
uitm-27122 |
|---|---|
| recordtype |
eprints |
| spelling |
uitm-271222020-01-09T09:06:04Z http://ir.uitm.edu.my/id/eprint/27122/ A fundamental study on styles of Malaysian contemporary ceramic art from 1959-2009 / Muliyadi Mahmood … [et_al.] Mahmood, Muliyadi Adam, Tajul Ariffin Mohd. Aris, Khairul Nizan Yahya, Syed Yusainee Ceramics Thus research is neither a historical study nor a compilation of artists itself but more on finding the style in contemporary ceramic in Malaysia and what factors that influence it; a first attempt documenting artworks of contemporary ceramic in Malaysia. Fourty-three artworks of thirty-five various artist from pioneer of ceramic art to the modern young artist that were produced for the past five decades were chosen and analyzed in this study. This is an art historical study on the question of style. It is based on the theory of style by Schapiro and Ackerman who stated that style refers to the formal qualities and visual characteristics of a piece of art. Four elements that have been identified based on the Theory of Art Criticism by Edmund.B.Feldman which are described, analyze, interpret, and evaluate the form, function, content and context in each artwork are determine to identify the National Identifiable Style to represent Malaysian Contemporary Ceramic Art. Factors that influenced the artists are determined based on the Theory of Cuture by Edward Burnett Tylor (1871), who stated that culture or civilization, taken in its wide ethnographic sense, is that complex whole which includes knowledge, belief art, morals, law, custom, and any other capabilities and habits acquired by man as a member of society Research Management Institute (RMI) 2010-11 Research Reports NonPeerReviewed text en http://ir.uitm.edu.my/id/eprint/27122/1/LP_MULIYADI%20MAHMOOD%20RMI%2010_5.pdf Mahmood, Muliyadi and Adam, Tajul Ariffin and Mohd. Aris, Khairul Nizan and Yahya, Syed Yusainee (2010) A fundamental study on styles of Malaysian contemporary ceramic art from 1959-2009 / Muliyadi Mahmood … [et_al.]. [Research Reports] (Unpublished) |
| repository_type |
Digital Repository |
| institution_category |
Local University |
| institution |
Universiti Teknologi MARA |
| building |
UiTM Institutional Repository |
| collection |
Online Access |
| language |
English |
| topic |
Ceramics |
| spellingShingle |
Ceramics Mahmood, Muliyadi Adam, Tajul Ariffin Mohd. Aris, Khairul Nizan Yahya, Syed Yusainee A fundamental study on styles of Malaysian contemporary ceramic art from 1959-2009 / Muliyadi Mahmood … [et_al.] |
| description |
Thus research is neither a historical study nor a compilation of artists itself but more on finding the style in contemporary ceramic in Malaysia and what factors that influence it; a first attempt documenting artworks of contemporary ceramic in Malaysia. Fourty-three artworks of thirty-five various artist from pioneer of ceramic art to the modern young artist that were produced for the past five decades were chosen and analyzed in this study. This is an art historical study on the question of style. It is based on the theory of style by Schapiro and Ackerman who stated that style refers to the formal qualities and visual characteristics of a piece of art. Four elements that have been identified based on the Theory of Art Criticism by Edmund.B.Feldman which are described, analyze, interpret, and evaluate the form, function, content and context in each artwork are determine to identify the National Identifiable Style to represent Malaysian Contemporary Ceramic Art. Factors that influenced the artists are determined based on the Theory of Cuture by Edward Burnett Tylor (1871), who stated that culture or civilization, taken in its wide ethnographic sense, is that complex whole which includes knowledge, belief art, morals, law, custom, and any other capabilities and habits acquired by man as a member of society |
| format |
Research Reports |
| author |
Mahmood, Muliyadi Adam, Tajul Ariffin Mohd. Aris, Khairul Nizan Yahya, Syed Yusainee |
| author_facet |
Mahmood, Muliyadi Adam, Tajul Ariffin Mohd. Aris, Khairul Nizan Yahya, Syed Yusainee |
| author_sort |
Mahmood, Muliyadi |
| title |
A fundamental study on styles of Malaysian
contemporary ceramic art from
1959-2009 / Muliyadi Mahmood … [et_al.] |
| title_short |
A fundamental study on styles of Malaysian
contemporary ceramic art from
1959-2009 / Muliyadi Mahmood … [et_al.] |
| title_full |
A fundamental study on styles of Malaysian
contemporary ceramic art from
1959-2009 / Muliyadi Mahmood … [et_al.] |
| title_fullStr |
A fundamental study on styles of Malaysian
contemporary ceramic art from
1959-2009 / Muliyadi Mahmood … [et_al.] |
| title_full_unstemmed |
A fundamental study on styles of Malaysian
contemporary ceramic art from
1959-2009 / Muliyadi Mahmood … [et_al.] |
| title_sort |
fundamental study on styles of malaysian
contemporary ceramic art from
1959-2009 / muliyadi mahmood … [et_al.] |
| publisher |
Research Management Institute (RMI) |
| publishDate |
2010 |
| url |
http://ir.uitm.edu.my/id/eprint/27122/ http://ir.uitm.edu.my/id/eprint/27122/1/LP_MULIYADI%20MAHMOOD%20RMI%2010_5.pdf |
| first_indexed |
2023-09-18T23:17:49Z |
| last_indexed |
2023-09-18T23:17:49Z |
| _version_ |
1777419230503763968 |