Paul Auster’s The Locked Room as a critique of the hyperreal
Auster’s The Locked Room (1986) presents a protagonist in a desperate quest for a lost character whose absence functions as the only significant storyline to which the narrative unfolds. Although, stylistically, the entire plot revolves around the disappeared Fanshawe, nowhere in the narrative can...
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| Format: | Article |
| Language: | English |
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Penerbit Universiti Kebangsaan Malaysia
2016
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| Online Access: | http://journalarticle.ukm.my/10702/ http://journalarticle.ukm.my/10702/ http://journalarticle.ukm.my/10702/1/11212-39667-1-PB.pdf |