(Un)reading orientalism in Sherry Jones’ The Jewel of Medina
Oriental representations of Muslims are often manifested in a society's media, literature, theatre and other creative means of expression. However, these representations, which are often historically and conceptually one-sided, have adverse repercussions for Muslims today, potentially leadin...
| Main Authors: | , , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Penerbit Universiti Kebangsaan Malaysia
2019
|
| Online Access: | http://journalarticle.ukm.my/14103/ http://journalarticle.ukm.my/14103/ http://journalarticle.ukm.my/14103/1/32860-114266-1-PB.pdf |
| Summary: | Oriental representations of Muslims are often manifested in a society's media, literature, theatre
and other creative means of expression. However, these representations, which are often
historically and conceptually one-sided, have adverse repercussions for Muslims today,
potentially leading to Islamophobia. Orientalism of Muslims in Western writings and discourses
have been much discussed, debated and disproved, yet some works of literature continue to
disseminate many of the earlier Oriental assertions about Islam/Muslims: that of being terrorists,
misogynists, barbaric or uncivilized compared to the civilized West. Sherry Jones’ The Jewel of
Medina (2008) chronicles the history of Islam from the time of the Prophet of Islam,
Muhammad, through the voice of his youngest wife Aisha. This paper argues that there is more
to the image of the Muslim than what is portrayed by Western writers. Through an “(un)reading”
of Sherry Jones’ text, this paper unravels the misconceptions regarding early and forced marriage
with a view to address the ways in which these misconceptions could lead to Islamophobia.
Using Edward Said's theory of Contrapuntal reading, which urges the colonized to unread
Western canonical texts to unearth the submerged details, this paper identifies and puts to
question non-conforming depictions of Muslims in Sherry Jones’ The Jewel of Medina (2008) –
while placing the text in its historical space – in an effort to mitigate the growing stereotyping of
Muslims and to address misconceptions with regard to Islamic history. |
|---|