Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript

Langěn Wibawa manuscript (thereafter abbreviated LW) with collection code of LL 20, belonging to the collection of Pura Pakualaman Yogyakarta Library, is a performing art-genre manuscript. This manuscript documents 28 dances in Kadipaten Pakualaman during Paku Alam IV reign. One of dances document...

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Main Authors:	Febriyanto, Muhammad Bagus, Pudjiastuti, Titik
Format:	Article
Language:	English
Published:	Institute of the Malay World and Civilization, Universiti Kebangsaan Malaysia 2020
Online Access:	http://journalarticle.ukm.my/14270/ http://journalarticle.ukm.my/14270/ http://journalarticle.ukm.my/14270/1/jatma-2020-0801-05.pdf

id	ukm-14270
recordtype	eprints
spelling	ukm-142702020-02-18T01:14:42Z http://journalarticle.ukm.my/14270/ Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript Febriyanto, Muhammad Bagus Pudjiastuti, Titik Langěn Wibawa manuscript (thereafter abbreviated LW) with collection code of LL 20, belonging to the collection of Pura Pakualaman Yogyakarta Library, is a performing art-genre manuscript. This manuscript documents 28 dances in Kadipaten Pakualaman during Paku Alam IV reign. One of dances documented in LW manuscript is Srimpi Gadhěg Putri. Post-Paku IV reign, the Srimpi Gadhěg Putri was no longer recognized for its repertoire presentation. The disconnected preservation of Srimpi Gadhěg Putri dance whips the spirit to restudy the dance’s construction. By means of LW text, information on dance is dug and studied in order to be known by the public. Primary data of Javanese-language and letter manuscript was obtained using philological method yielding LW text edition. The next method, ethnochoreology, was used to study the component of Srimpi Gadhěg Putri dance including theme, music, dance arena, tata lampah dan tata rakit, and fashion and property. Considering the result of analysis, it can be seen that Srimpi Gadhěg Putri dance holds on standard rule of srimpi dance called lampah bědhayan, and refers to Kasultanan Ngayogyakarta dance tradition. Although following the rule of Srimpi dance in general, Srimpi Gadhěg Putri dance has such characteristics as kapang-kapang majěng procession in two stages, kaci fashion for the character of jaja and kandha narrative sang. Institute of the Malay World and Civilization, Universiti Kebangsaan Malaysia 2020-01 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/14270/1/jatma-2020-0801-05.pdf Febriyanto, Muhammad Bagus and Pudjiastuti, Titik (2020) Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript. International Journal of the Malay World and Civilisation, 8 (1). pp. 47-57. ISSN 2289-1706 http://www.ukm.my/jatma/jilid-8-bil-1/
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Kebangasaan Malaysia
building	UKM Institutional Repository
collection	Online Access
language	English
description	Langěn Wibawa manuscript (thereafter abbreviated LW) with collection code of LL 20, belonging to the collection of Pura Pakualaman Yogyakarta Library, is a performing art-genre manuscript. This manuscript documents 28 dances in Kadipaten Pakualaman during Paku Alam IV reign. One of dances documented in LW manuscript is Srimpi Gadhěg Putri. Post-Paku IV reign, the Srimpi Gadhěg Putri was no longer recognized for its repertoire presentation. The disconnected preservation of Srimpi Gadhěg Putri dance whips the spirit to restudy the dance’s construction. By means of LW text, information on dance is dug and studied in order to be known by the public. Primary data of Javanese-language and letter manuscript was obtained using philological method yielding LW text edition. The next method, ethnochoreology, was used to study the component of Srimpi Gadhěg Putri dance including theme, music, dance arena, tata lampah dan tata rakit, and fashion and property. Considering the result of analysis, it can be seen that Srimpi Gadhěg Putri dance holds on standard rule of srimpi dance called lampah bědhayan, and refers to Kasultanan Ngayogyakarta dance tradition. Although following the rule of Srimpi dance in general, Srimpi Gadhěg Putri dance has such characteristics as kapang-kapang majěng procession in two stages, kaci fashion for the character of jaja and kandha narrative sang.
format	Article
author	Febriyanto, Muhammad Bagus Pudjiastuti, Titik
spellingShingle	Febriyanto, Muhammad Bagus Pudjiastuti, Titik Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript
author_facet	Febriyanto, Muhammad Bagus Pudjiastuti, Titik
author_sort	Febriyanto, Muhammad Bagus
title	Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript
title_short	Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript
title_full	Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript
title_fullStr	Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript
title_full_unstemmed	Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript
title_sort	srimpi gadhěg putri: a traditional dance of pakualaman in the langěn wibawa’s manuscript
publisher	Institute of the Malay World and Civilization, Universiti Kebangsaan Malaysia
publishDate	2020
url	http://journalarticle.ukm.my/14270/ http://journalarticle.ukm.my/14270/ http://journalarticle.ukm.my/14270/1/jatma-2020-0801-05.pdf
first_indexed	2023-09-18T20:06:43Z
last_indexed	2023-09-18T20:06:43Z
_version_	1777407207501987840

Srimpi Gadhěg Putri: a traditional dance of Pakualaman in The Langěn Wibawa’s manuscript

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