The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.

The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems....

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Main Author:	Nik Hassan Shuhaimi Nik Abdul Rahman.
Format:	Article
Published:	Universiti Kebangsaan Malaysia 1978
Online Access:	http://journalarticle.ukm.my/4087/ http://journalarticle.ukm.my/4087/

id	ukm-4087
recordtype	eprints
spelling	ukm-40872012-05-22T08:41:23Z http://journalarticle.ukm.my/4087/ The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. Nik Hassan Shuhaimi Nik Abdul Rahman., The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems. The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. Its headdress was the proto-type of the later Avalokitesvara images made in the Srivijayan Empire. Universiti Kebangsaan Malaysia 1978 Article PeerReviewed Nik Hassan Shuhaimi Nik Abdul Rahman., (1978) The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. AKADEMIKA, 13 . pp. 45-56. ISSN 0126-5008 http://pkukmweb.ukm.my/penerbit/jdem13-4.htm
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Kebangasaan Malaysia
building	UKM Institutional Repository
collection	Online Access
description	The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems. The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. Its headdress was the proto-type of the later Avalokitesvara images made in the Srivijayan Empire.
format	Article
author	Nik Hassan Shuhaimi Nik Abdul Rahman.,
spellingShingle	Nik Hassan Shuhaimi Nik Abdul Rahman., The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
author_facet	Nik Hassan Shuhaimi Nik Abdul Rahman.,
author_sort	Nik Hassan Shuhaimi Nik Abdul Rahman.,
title	The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_short	The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_full	The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_fullStr	The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_full_unstemmed	The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_sort	mitred avalokitesvara from palembang its significance on the origin and development of srivijayan art.
publisher	Universiti Kebangsaan Malaysia
publishDate	1978
url	http://journalarticle.ukm.my/4087/ http://journalarticle.ukm.my/4087/
first_indexed	2023-09-18T19:40:35Z
last_indexed	2023-09-18T19:40:35Z
_version_	1777405562844086272

The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.

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