Speechless complainer: a derridean reading of Titus Andronicus

The Roman tragedy of Titus Andronicus (1588-1593), the first and perhaps the least popular play of Shakespeare, depicts a non-Aristotelian tragic hero who is gradually decentred from his role and loses sympathy. Despite the fact that the play has been harshly criticised by many critics, Titus has re...

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Main Authors:	Datlibeigi, Roohollah, Abbasi, Pyeaam
Format:	Article
Language:	English
Published:	Pusat Pengajian Bahasa dan Linguistik, FSSK, UKM 2014
Online Access:	http://journalarticle.ukm.my/7065/ http://journalarticle.ukm.my/7065/ http://journalarticle.ukm.my/7065/1/4116-14274-1-PB.pdf

id	ukm-7065
recordtype	eprints
spelling	ukm-70652016-12-14T06:43:00Z http://journalarticle.ukm.my/7065/ Speechless complainer: a derridean reading of Titus Andronicus Datlibeigi, Roohollah Abbasi, Pyeaam The Roman tragedy of Titus Andronicus (1588-1593), the first and perhaps the least popular play of Shakespeare, depicts a non-Aristotelian tragic hero who is gradually decentred from his role and loses sympathy. Despite the fact that the play has been harshly criticised by many critics, Titus has regained its Elizabethan popularity in recent decades, and under the influence of postmodernist readings that focus on the play's fragmentary manner is well-matched with the fragmented contemporary time. This study is an attempt to present a detailed analysis of the language of Titus and the play in general. Using Derridean ideas, it will be argued that Shakespeare, through decentring the dualities of proper/improper language and speech/writing, decentres his protagonist and fills the play with chaos. It will be shown that the presence attributed to speech in Western thought is undermined by Shakespeare, for Titus’ ineffective speech makes him resort to writing which leads to even more chaos in the play. In other words, the Derridean logo centric presence is undermined both in Titus’ spoken and written languages and he can, either through neither speech nor writing, express his intentions. By and large, by decentring his protagonist, Shakespeare has endeavoured to distract the audience's attention from Titus and foreground Elizabeth's lack of a successor reflected in the play. Pusat Pengajian Bahasa dan Linguistik, FSSK, UKM 2014 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/7065/1/4116-14274-1-PB.pdf Datlibeigi, Roohollah and Abbasi, Pyeaam (2014) Speechless complainer: a derridean reading of Titus Andronicus. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 20 (1). pp. 49-60. ISSN 0128-5157 http://ejournals.ukm.my/3l/index
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Kebangasaan Malaysia
building	UKM Institutional Repository
collection	Online Access
language	English
description	The Roman tragedy of Titus Andronicus (1588-1593), the first and perhaps the least popular play of Shakespeare, depicts a non-Aristotelian tragic hero who is gradually decentred from his role and loses sympathy. Despite the fact that the play has been harshly criticised by many critics, Titus has regained its Elizabethan popularity in recent decades, and under the influence of postmodernist readings that focus on the play's fragmentary manner is well-matched with the fragmented contemporary time. This study is an attempt to present a detailed analysis of the language of Titus and the play in general. Using Derridean ideas, it will be argued that Shakespeare, through decentring the dualities of proper/improper language and speech/writing, decentres his protagonist and fills the play with chaos. It will be shown that the presence attributed to speech in Western thought is undermined by Shakespeare, for Titus’ ineffective speech makes him resort to writing which leads to even more chaos in the play. In other words, the Derridean logo centric presence is undermined both in Titus’ spoken and written languages and he can, either through neither speech nor writing, express his intentions. By and large, by decentring his protagonist, Shakespeare has endeavoured to distract the audience's attention from Titus and foreground Elizabeth's lack of a successor reflected in the play.
format	Article
author	Datlibeigi, Roohollah Abbasi, Pyeaam
spellingShingle	Datlibeigi, Roohollah Abbasi, Pyeaam Speechless complainer: a derridean reading of Titus Andronicus
author_facet	Datlibeigi, Roohollah Abbasi, Pyeaam
author_sort	Datlibeigi, Roohollah
title	Speechless complainer: a derridean reading of Titus Andronicus
title_short	Speechless complainer: a derridean reading of Titus Andronicus
title_full	Speechless complainer: a derridean reading of Titus Andronicus
title_fullStr	Speechless complainer: a derridean reading of Titus Andronicus
title_full_unstemmed	Speechless complainer: a derridean reading of Titus Andronicus
title_sort	speechless complainer: a derridean reading of titus andronicus
publisher	Pusat Pengajian Bahasa dan Linguistik, FSSK, UKM
publishDate	2014
url	http://journalarticle.ukm.my/7065/ http://journalarticle.ukm.my/7065/ http://journalarticle.ukm.my/7065/1/4116-14274-1-PB.pdf
first_indexed	2023-09-18T19:48:39Z
last_indexed	2023-09-18T19:48:39Z
_version_	1777406070917955584

Speechless complainer: a derridean reading of Titus Andronicus

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